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Magdalena, far from being a prostitute who elicited the pity of Jesus, is a sexual priestess, and his intimate companion. This song is inspired by the triad of Jesus, Magdalena, and Sar’h. The incoming melody loosely represents an Alap; it’s her presence and power filling up the room. The bass drone is her unflinching determination to charge her Ka body, and yet the melody of the piece symbolizes her sadness as she has to see her beloved die on the cross, while she continues her life on the human plane. This piece was inspired by the book “The Magdalen Manuscript” by Tom Kenyon and Judi Sion. Musically, it was inspired by Rajna Swaminathan, who has taught me so many things over the years.
credits
from Magdalena,
released May 11, 2018
María Grand, tenor saxophone; David Bryant, piano; Rashaan Carter, acoustic bass; Jeremy Dutton, drums
supported by 138 fans who also own “TIII: Magdalena”
Linda playing and directing this great composition in collaborating with these great musicians is such a colorful musical adventure for my ears & eyes, Thank you! 1bigfan
This new LP from Evan Shay offers up irresistible takes on future funk and jazz, with a clear dance music undercurrent. Bandcamp New & Notable Dec 5, 2020
supported by 125 fans who also own “TIII: Magdalena”
They are somewhere outside going for a walk and are openly and sometimes emotionally talking to each other. Fortunately they've recorded this moment for those who are interested. freejazzy